talking LOOKING at me?
Robert De Niro may have been talking to himself in the film, Taxi Driver, but you might be saying something similar to a familiar face—with repositionable eyes—mounted up on the wall of your “Man Cave” or “Joe Room” someday soon. Thanks to UK artist, John Barton, a pair of new 1:1 scale head sculptures (or “busts”) based on the heroic visage of Palitoy’s most famous fighting man are now available for purchase. We contacted Barton and he kindly provided the following intel:
TJR: Absolutely amazing work, John. We LOVE your new toy-inspired busts!
“I’ve invested a fair amount of time and effort on these so I’m really grateful to receive such positive feedback.”
TJR: Please tell us about your new “Man of Action” (MoA) sculptures. What initially prompted their creation? What were your inspirations?
“I’ve always had a keen appreciation for good design and illustration, which is perhaps why I was so drawn to Action Man in the late ’70s and early ’80s. The packaging illustrations by David Barnacle are classics (is there a book available featuring his work?).
My inspirations come from multiple sources: a love of pop art, ephemera, product design from a less cynical time (’70s action figures weren’t ‘ripped’ on protein drinks), classic cinema posters (of which I am also a fan) and my own childhood.“
TJR: Where else do you draw inspiration for your work?
“Toy and model shops used to be full of outstanding packaging design. Tamiya produced beautiful product illustrations and graphic design, Airfix box paintings were action-packed (now sadly retouched and sanitized) and of course, Action Man’s boxes. They’ve always set the tone for ADVENTURE!”
TJR: How did your work and interest in 1:6 scale action figures come together?
“I’m a graphic designer. I’ve always loved creating things in three dimensions (as well), so the creation of my ‘Man of Action’ sculptures was bound to happen one day. I’m now what I’d call a ‘professional creative.’ I still turn my hand to graphic design and photography, but my real passion is for art.”
TJR: What else should potential buyers know about your MoA sculptures?
“Each is handmade to order and is intended for display, NOT play. Many hours go into the creation of each piece and no two are the same. It was really important to me that the eyes were positionable. It would have been so much easier to create the mould and castings without eye sockets, and have static eyes, but I’m stubborn and I refused to compromise on this.
The eyes are independently positionable from inside the head allowing each MoA to stare intently in any direction you wish. My initial thought was to engineer an inner ‘eagle eye’ mechanism, and for a one-off this would be fine, but it’s just not replicable in numbers at a sensible cost.
As each piece is made-to-order, every customer is kept fully informed of progress with emails and photos. I may even create other versions and special editions in time. I hold out the vain hope that as a handmade, numbered piece, my MoAs will one day become collectibles in their own rights.”
TJR: What kind of response have you been getting from AM collectors so far?
“I only posted the MoA to a couple of forums for the first time yesterday and I’m really humbled with the positive reception received so far from aficionados. Thank you ALL for your enthusiasm and support!”
Bottom Line: Our sincerest thanks go out to John Barton for his assistance with this article and our best wishes to him in all of his future endeavours. We know quality work when we see it, and these new busts of his are top-notch—all the way.
Who knows how long he’ll be creating them? For that reason alone, we highly recommend you contact Barton SOON if you’re interested in adding one (or more) to your collection. For complete information on cost, shipping and options, visit his website HERE. These handsome lads would make stunning gifts for any fan who believes that he (or she) already owns “one of everything.” Talk about your “limited-editions.” This is it!